Images stay with the right text
A photograph or figure should appear where the reader expects it. We place each image beside the relevant passage and adjust spacing so the text flow remains clear.
Tell us which stages your book still needs and we will quote the whole set in one place.
Request a single quoteBlack and white images should sit naturally in the page, not feel dropped into it. We prepare each image for print, size it to the available space, place it where the text supports it, and keep captions, margins and page balance consistent across the book. Every placement is checked again in proof.
Black and white image insertion begins with the relationship between picture and text. A photo, diagram, portrait or archival image needs enough room to read clearly without interrupting the paragraph around it. We decide placement, scale and caption position before the full layout is locked, so each page feels deliberate rather than patched together.
We check the files themselves. Low resolution images, weak contrast and inconsistent grayscale can print differently from the screen, especially with print on demand. Each image is reviewed for DPI, range and crop, then prepared to sit cleanly within the established layout. You approve the treatment before it is repeated through the book.
Images change the rhythm of a page. If they are too large, too dark or placed without regard to the text, they can make a clean interior feel crowded. We handle black and white image placement in a book as part of the layout itself, balancing scale, white space, captions and reading order so each image supports the page instead of interrupting it.
A photograph or figure should appear where the reader expects it. We place each image beside the relevant passage and adjust spacing so the text flow remains clear.
Images are prepared in grayscale with enough contrast to reproduce clearly on paper, rather than relying on how they happen to look on screen.
Caption formatting is set once for type size, spacing, alignment and numbering, then applied consistently so the book does not change treatment from chapter to chapter.
Trim size, margins and print on demand requirements are considered before placement, so an image that fits one page does not create avoidable problems elsewhere in the interior.
Send the manuscript and image folder as they stand. We will review the image count, file quality, likely placement, caption needs and any pictures that may not reproduce well in grayscale before the full interior is set.
Five stages, completed in order. We do not place every image until the files, page locations, caption system and print requirements have been agreed with you.
We review the manuscript and image folder together, count every image, match file names to their intended pages, flag duplicates and missing captions, and identify pictures with low DPI or weak contrast. We also note where image placement in text flow may need adjustment. That audit sets the quote and schedule.
We check crop, contrast and image resolution for print before layout begins. Color files that will print in black and white are converted rather than left to the printer. A page shows grayscale treatment, caption position and spacing so you can approve it before the treatment is repeated.
You receive a written scope listing the image count, planned locations, caption formatting, grayscale image prep, editions covered, proof rounds and fee. Any image that needs restoration, replacement or substantial retouching is flagged separately, because that is different work from placing supplied artwork into the layout.
Images are prepared to the agreed treatment and inserted into the layout at approved locations. Captions, white space and text flow are checked around each one. You review a proof, and placement corrections within scope are applied inside the included rounds before the interior is finalized.
A text correction can move an image, split a caption or change available space. We check every placement against the final interior, confirm image resolution for print, and make sure grayscale artwork still reproduces cleanly in the approved layout.
A practical guide to trim size, margins, image resolution, captions, grayscale, bleed and the production choices that affect how illustrated interiors print.
Images can add pages, change text flow and affect printing cost when the word count stays the same. The guide explains how full page images, smaller placements, captions and white space influence page extent, so an illustrated interior can be planned before a print on demand proof is ordered.
It is written to help whether you are placing a handful of photographs or building an image heavy interior. The guide also explains which files are suitable for print, when 300 DPI matters, and why an image that looks sharp on screen can still reproduce poorly on paper.
Every book interior comes with different needs. Some manuscripts require a complete page layout, while others only need a table of contents, headers, notes, image placement or final revisions. The services below let you choose the exact support your book needs without reworking sections that are already complete.
Each service is handled as its own part of the interior process, so you can address the current issue, keep the layout consistent and move toward a clean, print-ready file without adding work your book does not need.
Image placement and restoration are different jobs. Your scope states what preparation is included, what needs replacement and what is placed as supplied.
We review DPI, crop, grayscale balance and contrast before an image is placed. If a file is too small for the intended size, we flag it rather than stretching it and hoping the printer hides the problem.
Margins, caption spacing, image alignment and text wrapping follow approved layout rules, so images are treated consistently rather than positioned differently from page to page.
Every image is checked again once the text is final, because page changes can disturb spacing, captions and the reading order.
Image count, preparation, placements, captions, proof rounds, fees and exclusions are agreed before work begins, and nothing is called finished without your approval.
High resolution TIFF, PNG or JPEG files usually work well when they are large enough for the intended placement. We judge usable size from pixel dimensions and DPI, not the file extension alone. If an image is too small, we flag it before layout rather than enlarging it until it softens.
Yes. Photos can sit within text, on their own page or in groups where the design allows it. We match each photo to the passage, set consistent spacing and captions, and make sure placement does not interrupt the reading flow.
For most print interiors, 300 DPI at the final placed size is a useful target. The important part is final size: an image may be 300 DPI when small and become unsuitable when enlarged across a page.
We convert images for grayscale reproduction, then review contrast and dark areas at the size they will print. A file can look balanced in color and become muddy in grayscale, so the print version is treated separately instead of relying on automatic conversion.
Yes. Caption formatting can be standardized for type size, alignment, spacing and numbering, with separate rules where figures or photographs need different labels.
It can. Reflowable eBooks do not hold a fixed page like print, so images may move relative to surrounding text on different screens. We keep each image close to the passage it belongs with and use caption treatment that remains clear when page width changes.
A small number of simple images may be. Books with many photographs, captions, special sizing or grayscale preparation are usually scoped separately so authors without image heavy interiors do not pay for that work.
Usually yes, if you can supply the working layout file and original images. A flattened PDF gives less control over text flow and placement. We review the files first and tell you what can be changed safely before quoting the work.
Thirty minutes, no obligation, and a practical look at the images, captions and layout you have. If files need grayscale prep before placement, you will know before production starts.